Grants | Awards | Residencies

2010 Selected to attend the Deborah Hay Solo Commissioning Project, Scotland. Project supported by individual donors and a RACC Professional Development Grant. 2009 RACC Individual Project Grant w/ collaborators Meshi Chavez and lyd. 2008 Selected by Movement Research to perform at NYC’s Judson Church w/ collaborators Meshi Chavez and Stephanie Lanckton. 2007 Caldera Residency, Eastern Oregon | RACC Individual Project Grant | Dance Coalition of Oregon’s Choreographer Grant 2006 Lilla Jewel Award for Woman Artists, MRG Foundation | One of 10 choreographers selected to participate in the RDDI Portland Dance Lab, sponsored by NDP and NEFA.

A few past & present collaborators


    Performers:
  • Lucy Yim, Lisa De Grace, Richard Decker, Jenn Gierada, Mark Kline, Meshi Chavez, Stephanie Lanckton, Shelly Stephenson, Daniel Addy, Mike Barber.

Choroegrapher's Statement

The driving force behind my work is the desire to reveal. To reveal ourselves to ourselves while allowing the work to reveal itself. There is a lot of intuition involved in my creative process, and I want to awaken the intuition in the performers and witnesses of the piece. A work is successful to me if people recognize something of their gut, their heart or their mind in it.

I display psychological concepts through the body. I like intensity. I like to create environments, playing with the strikingly surreal familiar. I want my work to look a bit like a dream. I use the movement of energy as inspiration, technique, and support. Music is hugely important to me. I like the audience to be vibrated by the sounds.

I am inspired by our myths, archetypes, and collective patterns. They bind us: they are our common denominators. The oldest stories are the newest ones. Popular culture is now the house of our myths; performance, television, comic strips, books, Internet and movies are the storytellers.

I want to immerse the audience in an experience and shift their perception, if only for a moment. Our culture encourages living in the past, nostalgic and regretful- or the in future, busy with planning, scheming and analyzing. I try to put myself, other performers and audience members in situations that draw attention to the present.

I love to collaborate. I learn so much from going through a creative process with other people. I consider myself very lucky to have worked and be working with the artists that I have.